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Oooooof!

So I'm sitting here thinking, he opened up for Buddy Guy, this has gotta be good, yup it was.

Great rendition of one of my absolute favourite songs. Hats off - Would like to see you in Iceland one day :)

Magnifique!

Beautiful. Thanks for sharing.

i had to rewind the ending when you downtune, so good

Great work

Fantastic version!! Can you make some tutorial how did you play...for sure it will makes a lot of views🤟🤟🤟

Really fine, Mr. C. Thanks for sharing. BTW, IMO, your new album is excellent.

You got to move when the Lord gets ready, you got to move! Nice song 😂Alright 🙏🏾😇🎤🎶

Sweet cornbread and grits!

Real fine, Mr. Carroll. Congratulations on the new album as well. Thanks for sharing.

seeing this makes me appreciate RJ more and more

My goodness, this man is playing the truth outta that gui-tar and Harmonica. Beautiful!🫡🎸

Nice, we must be cousins, I love playing the Blues too

Great ode to John...well done...also a huge Fahey fan...you pulled all the stops...thank you

You smoked it ! Awsome! REAL NICE ! Fred is my personal favorite, and there are so many great ones !

Ok, what ever.......

Blue eyed blues.

Fascinating. Your mention of how you learned old blues from the records reminds me of Rory Block's quite similar description of the same in her autobiography - playing the song over and over until she got it right. And now you can watch any number of lessons on RUclips - as well as the original video recordings. I found your comments quite interesting. Thank you for sharing.

What a night tor us all back then. Winter wandering around somewhere was allot to take in. My band and I have been playing the clubs of the northwest for years at that point and that was an exciting night to say the least.

That's my absolute favorite Parker song, and this is the best cover I've heard!

Excellent performance. Thank you for sharing.

Great performance! Thanks for sharing.

Sounds good, sir. Thanks for sharing.

Fantastic. Loved it

That’s so fucking cool

You have the audience in the palm of your hand. Wow folks are completely silent and listening … No background chatter.

Awesome

Wonderful rendition, sir. Thank you for sharing.

Very nice

One mic is always a challenge! And fun. Sometimes you just have to jump into a seat and work with what your dealt.

Amazing performance, sir - in such confined quarters! Thank you for sharing.

Smokin'. Thanks for sharing.

love it. growing up on farm in louisiana...i love this. sounds great.

Wonderful performance. Thanks for sharing.

Great performance, sir. Thank you for sharing.

You're really a master of "primitive" Americana. Thank you for sharing.

Powerful performance, sir. Thank you for sharing.

Dang, you're good!!! Thanks for sharing.

In those first handful of seconds, I effectively show the relationship between mountain blues, Piedmont blues and North Mississippi /deltablues by way of timing in inflection, counterpoint and polyrhythm.

In those first handful of seconds, I effectively show the relationship between mountain blues, Piedmont blues and North Mississippi /deltablues by way of timing in inflection, counterpoint and polyrhythm.

Jody, you sweat the blues, best around. not enough bluesmen like this guy these days. keep on keepin on brother

Very nice! Great songs. Love the playing.

Wonderful performance, sir! Thank you for sharing.

Wonderful rendition! Primitive and powerful, very strong. Thank you for sharing.

This is solid gold. The whole world has the Blues. The whole world needs more Blues music. I grew up on Robert Johnson. This man definitely has it. I just hope it gets passed along to a new generation.

So good. Subscribed.

Im very into this gold.

Really good job with this structure. I enjoyed it. In my research and hanging out with Taj Mahal I learned the pattern of this song is based in Mali where it is a common progression for songs there too. Once the African scale was embarked on by many Europeans early in the 19th centery it was considered primitive and uncooth to even mess with it. Fast forward it lead to Rock Roll music which was a common term in juke joints of the south and speak easys in Harlem. Once it hit a few folks in the late 1940s it became a respectable method of so many styles of music.